Concert pianist

Classical structure, pianistic thought.

Juan Rezzuto's concert profile is grounded in the classical tradition, with Haydn as a central thread and a repertoire that moves through Mozart, Beethoven and Chopin.

Featured performance

Mozart in dialogue.

The concerto frame shows the pianist in public form: line, balance, response and the living exchange between soloist and ensemble.

Mozart · Piano Concerto No. 9 in E-flat major, K. 271 Featured performance

Performance settings

The room matters.

Recital spaces, historic interiors and civic halls each ask for a different kind of attention. The programme is shaped by the place where it will be heard.

Artistic frame

Lineage, measure, and form.

The performance profile is defined by touch, architecture and the patience to let classical form speak without theatrical excess.

Scaramuzza tradition

Juan's pianistic world is connected to the Scaramuzza tradition through his work with Bruno Leonardo Gelber: clarity of mechanism, freedom of sound and economy of movement.

Haydn as centre

Haydn gives the profile a particular strength: wit, proportion, rhetoric and the ability to make classical structure feel alive in the present.

Repertoire

Selected works and recordings.

A compact repertoire view for recital, concerto, lecture-recital and programme discussion.

Joseph Haydn

Central thread
  • Hob. XVIII:2
  • Hob. XVIII:3
  • Hob. XVIII:4
  • Hob. XVIII:6
  • Hob. XVIII:10
  • Hob. XVIII:11
  • Piano Sonata in E minorHob. XVI:34
  • Piano Sonata in E-flat majorHob. XVI:49
  • Piano Sonata in C majorHob. XVI:50
  • Piano Sonata in D majorHob. XVI:51
  • Hob. XVI:52

Fryderyk Chopin

Recital repertoire
  • Op. 9 No. 1
  • Op. 48 No. 1
  • Op. 48 No. 2
  • Etude in C majorOp. 10 No. 1
  • Etude in C-sharp minorOp. 10 No. 4
  • Piano Sonata No. 2 in B-flat minorOp. 35
  • Ballade No. 4 in F minorOp. 52

Sergei Rachmaninov

Selected preludes
  • Prelude in D majorOp. 23 No. 4
  • Op. 23 No. 5
  • Prelude in E-flat majorOp. 23 No. 6

Mozart and Beethoven

Selected works
  • K. 271
  • Piano Sonata No. 8 in C minor, "Pathetique"Op. 13

Formation

An Argentine formation, continued in London.

The path joins piano study in Mar del Plata and Buenos Aires with composition training and long-term musical work in the UK.

1996
Mar del PlataPiano studies with Maestra Eugenia Rozenthal.
2003
Buenos AiresPiano studies with Maestra Elsa Puppulo.
2006
Buenos AiresPiano studies with Maestro Bruno Leonardo Gelber.
2007
IUNA Music DepartmentLicenciatura en Artes Musicales y Composicion / BMus (Hons.).
2012
Trinity College LondonFTCL in Composition.