Vocal Etude No. 2
A concentrated vocal work, direct enough to serve as a first encounter with Juan's compositional language.
Composer profile
A pianist thinking in new forms.
Juan's original works can be heard, watched and placed in conversation with his classical performance profile.
Obertura Birmingham
An orchestral-facing work with available video documentation.
Ballet Pancha
Stage-oriented music presented through current media material.
Composer-pianist
Original work from inside a performing life.
Composer-pianist
The same artist, another mode of thought.
The composer and pianist are not separate figures. The original works extend the same concern with form, voice and musical time.
A recital can place Juan's own music beside classical repertoire, allowing new work and inherited form to illuminate one another.
Video
Listen first.
The clearest introduction to the work is the work itself: voice, image, sound and recorded performance.
Vocal Etude No. 2
Op. 33
El Homenaje
Original work
Stage and theatre
Music entering the scene.
Dance, theatre and staged movement open another part of Juan's writing: music made to meet gesture, space and dramatic time.
La Chanteuse
Fringe Festival / Sadler's Wells
Gratia Maxima
Teatro 25 de Mayo, Buenos Aires
Gratia Maxima
Stage, music and visual atmosphere.
Premiere context
Music written for theatrical scale.
Gratia Maxima connects Juan's compositional work with a broader stage language: movement, image, ritual and public space.
The theatrical works sit beside the piano-centred material, widening the composer profile without repeating the same recordings.
Audio sample
Impression No. 1
A short audio entry into texture, atmosphere and musical pacing.
Programme idea
Classical repertoire and original music.
A composer-pianist programme can join inherited form with new work: Haydn, Mozart, Beethoven or Chopin placed beside Juan's own scores.